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This is not to say that the three-act structure is the be-all, end-all of screenwriting. See if they climb down," then eliminating the second act destroys any chances of seeing how your characters react to new obstacles - and, thus, fails to reveal what makes them who they are. If the three-act structure is "Send your characters up a tree. Instead, a bunch of stuff just sort of happens, and that’s that. Without second act, there’s no time for the story to build momentum, for the characters to actually define themselves as individuals, for conflicts to develop. (Just two examples since I wrote that article: King Arthur and The Mummy.) And the problem hasn’t gone away in 2017, with even more films that seem to think of the second act as suggested, not mandatory, especially movies that are setting up would-be major franchises. I wrote about the disappearing second act in 2016, when a long string of movies skipped from lengthy setup to a lengthy climax - without the middle section that most movies use for character development and plot complication. The death of the second act has been a problem in blockbuster filmmaking for too long Wonder Woman is here to save the day. That bucks a troubling Hollywood trend, and I’m hopeful it contributes to the film’s success. It’s that the No Man’s Land sequence occurs right in the middle of Wonder Woman’s second act - and it’s one of the best second acts for a blockbuster in years. What’s interesting about this isn’t that Jenkins had to talk some of her bosses into signing off on the No Man’s Land sequence. This is a scene about her becoming Wonder Woman.”
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So when I started to really hunker in on the significance of No Man's Land, there were a couple people who were deeply confused, wondering, like, “Well, what is she going to do? How many bullets can she fight?” And I kept saying, “It's not about that. I think that in superhero movies, they fight other people, they fight villains. But it’s also easy to see why a studio might suggest cutting the sequence. The sequence is thrilling and moving, and when I saw the film, people cheered at the mere sight of Diana striding into battle in Wonder Woman’s iconic costume.
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In a recent interview with the site Fandango, Jenkins said that she had to fight hard to keep the sequence in which Diana, an Amazon cast into the world of us mere mortals, fights her way through No Man’s Land - the bombed-out area separating enemy trenches - during World War I, that she might restore a supply chain to a little town that’s starving to death. According to Wonder Woman director Patty Jenkins, some of the suits at Warner Bros., the studio that made the film, wanted to cut the single best sequence from her world-beating smash hit.